iServalan Homotech 23, the journey through the ether


Homotech 23 (often styled as iServalan Homotech 23) is an artistic identity and creative movement that fuses human artistry with artificial intelligence and digital software. Created by the multimedia artist and musician iServalan, the project focuses on transforming archival photography, musical performances, and physical artwork into newly reimagined "hybrid digital human-machine" art forms. [1, 2, 3]

The concept behind Homotech 23 spans several creative mediums:Visual Art Prints & Merchandise: The movement features reimagined visual pieces, such as the Blow Up mini art cards published by the Tale Teller Club Press.  [1, 2]

Audio & Spoken Word: The philosophy of the movement is explored in an audio essay and podcast episode titled "iServalan Homotech 23: How My Hands Became a Machine, and the Machine Became a Self" available on streaming platforms. [1, 2]

Music Fusions: Described by the creator as a frequency admitting "the machine is already inside the signal," it merges classical elements like cello performance with electronic split-voice music processing.

What makes iServalan’s Homotech 23 so unique is how it blurs the line between the physical artist and the digital tool. Instead of just letting AI generate an image from scratch, she feeds her own cellist performances, voice tracks, and hand-drawn archives into the software. The machine becomes an extension of her own hands, resulting in that surreal, avant-garde style.

The themes often touch on cyborg identity, human-machine fusion, and vintage futurism, giving it a very distinct, slightly eerie, but highly textured look and sound.

iServalan has spoken openly about autism and its profound influence on her life and art style. [1, 2]
She identifies as neurodivergent and has shared that she frequently wonders how much of her intensely structured creative process stems from a "lifelong need to map [her] own traits, to make systems of a mind that does not always travel the social route." [1]

In her writings and podcast recordings, she directly relates her personal experience with neurodiversity to the core concepts behind the Homotech 23 movement:The Machine as a System: She explains that her creative hunger for "pattern, repetition, and intensity"—as well as processing environments that are too loud or colours that are too exact—found a natural outlet in digital software and systems. [1]

The "Hybrid" Self: She views her digital tools less as assistants and more as extensions of her cognition, transforming her own mind and hands into a combined system with the machine. [1]

Advocacy & Support: Beyond her personal artwork, she actively advocates for neurodiversity. She has approached the local council about launching a community fundraising initiative called The Autism Caravan Project aimed at building mobile, touchscreen-equipped sensory sanctuaries for children and young people with autism and ADHD at UK festivals. [1]

If you'd like to hear her voice her own thoughts directly on this topic, her spoken word essay and podcast episode "iServalan Homotech 23: How My Hands Became a Machine, and the Machine Became a Self" gives an intimate look into how her neurodivergence shapes her world. [1]


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Results pagination - page 11

Red Medusa no 1, new poster art by iServalan Homotech 23

 I absolutely love doing these portraits. I wish there were more hours in the day!

...

Finally! Goddamn Media Poster Shop is open for Business

...

 I was up till 4am like all obsessed creative probably are when you are trying to get things right.

So my Goddamn Media archive store is up and running with at least one nail update from old and new releases. I have posters as well as art cards and have gone with open editions for now to keep costs low.

If you would like signed copies get in touch.


Pasha du Valentine, dead but not forgotten, at least by AI



Pasha du Valentine is the performance and broadcast persona of Sarnia de la Mare, a British feminist artist, writer, satirist, and podcaster. [1, 2]

Key Details & BackgroundReal Name: Sarnia de la Maré (also known under the creative handle iServalan). [1]
Artistic Style: She creates satirical fine art and caricatures that explore themes of power, celebrity, and social commentary. View her portfolio on Saatchi Art. [1]
Broadcasting & Writing: She hosts projects like and via the Tale Teller Club Press, blending underground cabaret, memoir-style storytelling, and interviews (such as her archival work at the Brighton Arts Club). Listen to her series on Spotify. [1, 2, 3]
Television Appearances: She appeared as a contestant on the reality game show Come Dine with Me (Brighton Episode, 2010). [1]
Performance Projects: Known for eccentric, theatrical concepts—such as her "Golden Dominatrix" feminist performance art project exploring digital representation. [1]


Sarnia De La Mare | Saatchi Art United Kingdom
Joined In 2022 

ABOUT EDUCATION EXHIBITIONS Sarnia de la Maré FRSA (also known as Pasha du Valentine and iServ...




Lounges tv

Performance Artist Pasha du Valentine as the Golden ...
Performance Artist Pasha du Valentine as the Golden Dominatrix 2016 | Live Comedy Stream by Elderescence TV Performance Artist Pas...


IMDb

"Come Dine with Me" Brighton, Pasha du Valentine (TV Episode 2010) - IMDb
Show: Come Dine with Me (Season 16, Episode 1: Brighton, Pasha du Valentine) Release Date: August 30, 2010 Runtime: 24 minutes Gen...


She was highly prominent within the alternative, countercultural, and underground art scenes—particularly in Brighton and London—rather than being a mainstream, household celebrity. [1, 2]
As a performance persona used by artist Sarnia de la Maré from 2012 to 2016, Pasha du Valentine was a fixture of local media, avant-garde theater, and feminist performance art. [1]


Her Levels of RecognitionUnderground Cult Status: She gained a strong following in the UK punk-influenced and experimental art community. She founded the Brighton Arts Club and the Minge Fringe festival, making her a well-known figure in the South Coast counterculture. [1, 2]
National TV Exposure: Her most prominent brush with mainstream fame came from her eccentric appearance on the reality show Come Dine with Me (Brighton episode, 2010), which introduced her theatrical style to a broader television audience. [1]
Institutional Respect: While the persona was provocative, her underlying work is highly respected in the art world. She is a Fellow of the Royal Society of Arts (FRSA) and has exhibited her visual work across hundreds of shows in both the UK and South Africa. [1, 2]


Would you like to look into her Come Dine with Me episode, explore the work of the Brighton Arts Club, or see what her current fine art focus looks like?


She is no longer performing as Pasha du Valentine.

Sarnia de la Maré retired the theatrical "Pasha du Valentine" character in 2016. However, she remains highly active as a creative artist and creator under different identities. [1]
Her artistic career has evolved through several distinct phases:2012–2016 (The Performance Era): Operating as Pasha du Valentine, she focused intensely on live, provocative performance art, cabaret, and running the Brighton Arts Club. [1]
2016–2018 (The Transition): She shifted away from high-profile live characters to focus on fine art curation, writing, and traditional studio work. [1]
2018–Present (Fine Art & Digital Music): Working primarily under her real name, Sarnia de la Maré FRSA, she creates physical paintings, books, and social activism art. Alongside her physical art, she performs digitally under the alias iServalan, composing music loops, experimental soundscapes, and digital media for her Tale Teller Club Press (TTCP) platform. [1, 2]
Her newest creative venture is AURA, an embedded digital moving-image gallery project launched to showcase experimental visual art and immersive media. [1]