Artist Statement My work began in the frictions of nightlife—flyers, guerrilla shows, self-documentation—before expanding into moving image, sound and live action. Today I compose cinematic environments for 360° capture, where projection, choreography and camera position fold the viewer into the piece. I draw strength from feminist performance lineages—Carolee Schneemann’s radical body, Marina Abramović’s encounter, Pipilotti Rist’s enveloping video—while relocating the gallery to wherever a phone can tilt. AURA formalises this shift: a series of immersive films designed for handheld exploration and large-scale projection alike. Each work is both event and record; each viewer’s path becomes a reading of the piece. Press & Exhibition Archive Sarnia de la Maré FRSA — also known as Pasha du Valentine / Pasha du Pont / iServalan. Highlights from socially engaged art, performance, and cultural commentary across multiple creative identities. Artistic Identities & Evolution Over two ...